In the end, only a couple of hours before the movie’s release, the name was altered into Gaddalakonda Ganesh. Near the close of the calendar year, he also made another movie, Kamma Rajyam Lo Kadapa Biddalu, that was just another direct reference to the way YS Jagan’s climb to power since CM had taken some toll on Chandrababu Naidu and TDP; nevertheless, after a lot of hues and cry, the movie’s title has been changed into Amma Rajyam Lo Kadapa Biddalu. The marketplace for Telugu movies had its share of ups and downs this season. Nonetheless, with dwindling footfalls, chiefly due to the growth of OTTshas become the new standard, Telugu movie makers and suppliers have an ongoing task before them. With many major ticket movies lined up for launch in 2020, such as Sarileru Neekevvaru, Ala Vaikuntapuramulo, RRR, amongst others, it is going to be intriguing to see whether the market improves radically for Telugu theater in foreign markets.
On the flip side, the marketplace for Telugu movies in the Telangana and Andhra Pradesh continued to surprise commerce pundits, with a few of the most anticipated movies, such as NTR Kathanayakudu/Mahanayakudu, Vinaya Vidheya Rama turning to box-office turkeys. In contrast, movies such as F2 and iSmart Shankar matched with a massive victory, beating first quotes. Following Sri Reddy place the ball rolling about allegations of sexual harassment at the Telugu film industry and her strip demonstration, many manufacturing houses this season have put up ICs (Internal Committee) to tackle the problem, as mandated by legislation.
A year that saw as many as 190 directly Telugu movies and dozens of other dubbed movies vying for the interest of this crowd, 2019 was very striking for the Telugu film industry. Because it was an election year in Andhra Pradesh, filmmakers such as Krish, Mahi V Raghav, also RGV withdrew their hat in the ring to tell stories of leaders of their yore. There were a couple of telugu news different movies, such as Mallesham and Dorasaani, that underperformed at the box office despite critical acclaim. Still, it was obvious that the time is appropriate to tell tales that are first and distinctive in their manners. However, if there was only one persistent theme that described Telugu theatre in 2019, it is the proliferation of low-budget movies dealing with newer topics, legends, and arenas.
